Eco-Scrapbooking: Use Both Sides of the Scrapbook Paper

My scrapbooking over the last few weeks has been all about digging into my stash. I feel like I have not made a dent in my stash despite limiting new scrapbooking purchases. Over the past few weeks, I’ve used rub-on letters, pattern paper from 2003, fibers, brads, and border stickers–all things I don’t use much.

I’ve also used some newer supplies, but used them in a new way…well, actually, I used the supplies in a way I originally used them. I had a couple of dozen photos from a trip we took a couple of years ago and opted to make it into a mini-album. I used a few eco-friendly methods for this project.

I used both sides of the double-sided pattern paper. This is the first page of the album:

On side two, I used multi-colored alpha stickers. I always forget I have them, but am making an effort to use them:

I’m not super crazy about the colors of all the letters in the set, but I think they go well enough and they fit in the space like I wanted the set to do.

You may have noticed another trick in the previous two layouts, but look at the bottom of this third layout:

I used all the paper. You know how many pattern papers have a strip with the UPC and perhaps a bit of pattern that you have to cut off? I’ve seen plenty of people cut off those strips and add them to a layout. I opted to keep the strips on the paper and use the whoel piece of paper.

I suppose my last tip was that I used a paper kit collection. This really helped me use the scraps in the collection, too. Normally, my scraps would go back the folder with the collection, but using one collection for a mini-album really encouraged me to dig into those scraps. I still have a few pieces left in the collection, but feel really good about using my stash.

Of course, I need to be completely honest. This collection was in my stash, but I bought it within the last year. The collection is On Trend from Crate Paper (affiliate link). I really like this collection because it is so eclectic. It has showed me how much I like to just add eclectic things together rather than being so matchy-matchy. I plan to branch out and be more eclective on layouts. I want to match very different products from my stash together next. We’ll see what happens!

P.S. This post was written in response to Danielle’s call over at EcoScrapbook for Eco-Friendly Scrapbook Layouts.

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Rule #1: Archival Quality of Materials

This entry is part 71 of 86 in the series Scrapworthy Lives Results

Each Wednesday, I usually write a post from my dissertation.

Scrapbookers should use “appropriate” materials in their scrapbooks, by which industry workers mean archival[1] though every respondent broke this rule at least some of the time. One industry worker states, “if you’re going to go through that time and effort that you want them to last so you should use materials that are going to help be durable and long lasting.” Industry workers find it frustrating if customers resist using non-archival materials in their scrapbooks because one of the goals for industry workers is that scrapbooks are meant to hold and preserve memories for future generations. Using non-archival materials defeats the purpose in their eyes. Most scrapbookers, too, emphasize using archival products in their scrapbooks. Scrapbookers talk of “resuscitating” the photographs and memories they find in older family albums by removing the photographs from non-archival albums (e.g., magnetic albums) and placing them in archival quality scrapbooks.

The use of non-archival materials also varies depending on where the person fits within the thought community of scrapbooking. For example, Inspired Stories emphasizes the superiority of their products over all others and extensively tests all of their products for durability. Inspired Stories scrapbookers are less likely to include non-archival materials and products not made by Inspired Stories even if labeled safe for scrapbooking because they support the view that all non-Inspired Stories products are inferior, potentially non-archival, and non-safe.

The emphasis on archival materials also depends on the purpose of one’s scrapbook. If the purpose is to preserve one’s memories for future generations, then archival materials are very important. If, however, one’s purposes are only that the person enjoys the process of scrapbooking, then using archival materials may not be as important. The use of archival materials also depends on what photographs are going into the album. Scrapbookers using older photographs (i.e., heritage albums) or photographs that belonged to a loved one (i.e., their mother) tend to be more concerned with using archival materials.

From my observations as an industry worker, one major shift has been the technology. With digital cameras it is so much easier to just print out another photo than with film cameras. Because of this, it seems more scrapbookers are less concerned with exclusively using archival materials compared to when they were using photos developed from film (whose negatives may be non-existent). One respondent mentions this difference and her apprehension with scrapbooking the older family photographs. Her mother-in-law, who was present during the interview, points out, however, that the photographs are no less safe outside of the scrapbook. In this case, if the photographs are not going to be safe, then they might as well not be safe in a scrapbook rather than a shoebox.


[1] Archival materials include using paper that is acid-free and lignin-free (e.g., not pages from magazines or newspapers), photo-safe adhesive (e.g., not rubber cement), and a waterproof pen (e.g., not a Sharpie®).

Do you choose archival materials over non-archival materials for your scrapbooks? Why or why not?

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The First Rule of Scrapbooking is that There are No Rules

This entry is part 62 of 86 in the series Scrapworthy Lives Results

Each Wednesday, I usually write a post from my dissertation.

Industry workers in particular emphasize that there are no rules of scrapbooking, which is something many scrapbookers find appealing about the hobby. Digging deeper, one quickly realizes, that there are no rules like there are in formal games like golf, but as one industry worker points out

there are easier ways, maybe and there are certainly good, the right kind of materials, but in terms of the outcome, you can’t do it wrong. You can’t make a mistake. It’s your world.

Moreover, respondents do mention “rules” regarding the materials and design used to create a scrapbook.

Though most respondents cannot readily articulate any rules of scrapbooking, all eventually identify some rules or at least guidelines that they follow and think others should follow. Consider guidelines surrounding archival quality of scrapbooking materials: an item might not be scrapworthy because it is not of archival quality but it is scrapworthy because it symbolizes an important memory. In this way an item can be both scrapworthy and not scrapworthy at the same time. Respondents regularly practice this kind of thinking in their scrapbooks, which is why it is so difficult for most to identify any strict rules regarding the hobby.

What are the rules of scrapbooking? Do rules exist? Is it more accurate to refer to guidelines of scrapbooking rather than rules of scrapbooking?

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Scrapbooking Styles

This entry is part 64 of 86 in the series Scrapworthy Lives Results

Traditional, digital, and hybrid scrapbooking can be considered scrapbooking methods. These methods can be still further distinguished into styles. A person’s scrapbooking style signals where he or she fits in the social world of scrapbooking. Similar to drumming (Curran 1996) and windsurfing (Wheaton 2000), outsiders may not notice the distinctions between different scrapbook styles and instead simply lump all scrapbooks together as the same.

Where a person buys their scrapbooking supplies often influences their scrapbooking style. A scrapbooking business is going to promote only the products they actually sell. One industry worker says:

like a Let’s Stamp party, they’re going to show you that they have letter stamps and that’s how you create a title. But at a store they’ll have die-cuts, and rub-ons, and sticker letters, and stencils, and everything.

Industry workers are going to only show customers items that they can purchase through their respective businesses. If a person exclusively purchases from one business over another, their style, generally, reflects this. Brick and mortar industry workers argue that their customers’ styles are going to be more eclectic because they carry product from multiple vendors. In contrast, the direct sellers typically only carry one company’s products so there is less diversity in terms of scrapbooking styles using those products.

Direct selling companies are also accused of promoting their method of scrapbooking in an attempt to keep the scrapbooker coming back to them rather than purchasing from competitors. For example, Inspired Stories has a method and style of scrapbooking that is promoted over other methods and styles. Inspired Stories customers and consultants refer to non-Inspired Stories products as contraband—emphasizing the deviance implicit in choosing to use products from competitors. Inspired Stories customers say they are made to feel excluded by the consultants or other customers if they use products from other venders (though others point out that they were not singled out for using competing product). The scrapbooking styles that are driven by manufactures turn off potential scrapbookers. A few respondents note that they initially did not like scrapbooking until they realized there were other options besides Let’s Stamp or Inspired Stories.

In addition to scrapbooking styles that reflect various thought communities in scrapbooking from various manufacturers, actual scrapbooking styles can be described as clean lines (as opposed to spirals and circles), symmetrical, eclectic, flat, frilly, contemporary, plain, simple, artistic, and creative. One freelance scrapbooker (a person who makes custom scrapbooks for other people) has a portfolio of various scrapbooking styles that clients can choose from. Industry workers emphasize that simple scrapbooks are perfectly acceptable. Simple Scrapbooks was a popular scrapbooking magazine (final issue May/June 2009) devoted to scrapbooking simply. According to industry workers, simple scrapbooking refers to focusing on the photos and the journaling rather than focusing on the decoration (e.g., embellishments). Scrapbooks without 3-D embellishments are referred to as flat by respondents and are a hallmark of Inspired Stories. A typical Inspired Stories scrapbooker uses paper, stickers, and photos; all items that are flat (Inspired Stories has expanded to include some 3-D embelishments since these interviews. Scrapbookers with greater familiarity with the various scrapbooking manufacturers often refer to a specific brand or scrapbooking celebrity that they say their style reflected—assuming that I knew what they were talking about.

Though scrapbookers may describe their styles as “plain and simple” instead of “artistic and creative,” there is often overlap. Some of their pages may be simpler or more creative than others. The terms, too, are not mutually exclusive. A simple page could be very artistic.

Most respondents talk about how their scrapbooking style has evolved through the years. Industry workers, in particular, saw their scrapbooking style evolve to follow what happened in the industry at large. Scrapbooking products are like fashion in that some types of products become very popular, only to be pushed to the side when the latest craze comes around. Years ago it was quite typical to go in a scrapbook store and have rolls of stickers lining an entire wall. Today, stickers are still sold in scrapbook stores, but are not nearly as prevalent. For the most part, local scrapbook stores mainly carry stickers for new scrapbookers rather than for more advanced scrapbookers (though letter stickers are still very popular among all scrapbookers). Other respondents talk about how they have gone into ruts, using a particular technique over and over again until it is replaced by another technique, for example.

By working in a scrapbook store, industry workers learn how other people (i.e., other scrapbookers) scrapbook. Industry worker’s scrapbooking styles are challenged when they see the new items and emerging scrapbook trends. One industry worker says, “I don’t think my scrapbooks would have grown … I would’ve stuck rather than trying something different or new or stepping outside of what I was comfortable with.” Working in the scrapbook industry causes scrapbookers to try new things based on what they saw through their work, which runs contrary to the notion that your personality shows through in your scrapbooks. It also points to the fact that despite scrapbookers and industry workers proclaiming there are no rules that there is at least pressure to conform to the norms of the scrapbooking thought community.

Can you describe your scrapbooking style? Has it evolved? Where do you draw your style from?

References:

Curran, Geoffrey M. 1996. “From ‘Swinging Hard’ to ‘Rocking Out’: Classification of Style and the Creation of Identity in the World of Drumming.” Symbolic Interaction 19(1):37-60.

Wheaton, Belinda. 2000. “ ‘Just Do It’: Consumption, Commitment, and Identity in the Windsurfing Subculture.” Sociology of Sport Journal 17(3):254-74.

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Winner of the Seat in The Art of Composition

Congratulations, Lucie! Lucie is the winner of the seat in The Art of Composition. I have sent you an email, Lucie!

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The Art of Composition

12 weeks of capturing compelling images taught by Tracey Clark

Starts 1/3/2013 $99 for standard version, $299 premium version

Class Description

Are you ready to see a dramatic improvement in your photographs? Tracey Clark, professional photographer and founder of Shutter Sisters, kicks off our 2013 4Experts series with The Art of Composition, a 12-week journey into one of the most important fundamentals of photography-namely, composition.

No matter what kind of photography you enjoy, The Art of Composition will change how you look at the world around you while teaching you about line, shadow, shape, focus, negative space, balance, color and more!

This highly sought-after class is back again in two versions:

  • Our Standard version, the original class that delighted hundreds of students during its first run, is open for unlimited enrollment. You’ll enjoy all of Tracey’s original content (weekly lessons, video instruction, rich imagery, creative exercises, and challenges), plus access to a rich and vibrant community of fellow classmates.
  • The Premium version, which has a limited number of seats, includes all of the features listed above, plus personal coaching and real-time interaction from Tracey.
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How Do You Scrapbook?: Traditional and Digital Scrapbooking

This entry is part 66 of 86 in the series Scrapworthy Lives Results

Each Wednesday, I usually write a post from my dissertation.

I conducted my interviews in 2008. I focused on scrapbookers who scrapbook conventionally or traditionally (i.e., with paper, adhesive, and printed photographs). I did not set out to explore the world of digital scrapbooking. I had no idea how extensive this side of scrapbooking was at the time and my primary source for respondents was through a local scrapbook store that did not do anything with digital (or digi) scrapbooking.

Regardless, I did have some respondents who had digital scrapbooking experience. Some do a little of each and others combine the two doing what is called hybrid scrapbooking. Only one of my respondents digitally scrapbooks nearly exclusively (she started out as a traditional scrapbooker and still intends to complete a traditional album she has started but plans to then only scrapbook digitally).

Most of my respondents are traditional scrapbookers and do no digital scrapbooking. Traditional scrapbookers may use a computer to edit photographs or type up journaling, but they still consider these scrapbooks traditional rather than hybrid. Most of the industry workers have little experience with digital scrapbooking because that is not the product they are selling. The owner of Scan Your Story has the most experience with digital scrapbookers because her business digitized photographs for people making it even easier to just create a digital scrapbook.

The owner of Scan Your Story finds that younger women are more drawn to digital scrapbooking compared to older women because younger women are more comfortable with the technology. Older scrapbookers in my sample support this respondent’s assertion. They mention they are “too old” to figure out digital scrapbooking on computers, though this is not true for all older respondents. Future research on scrapbooking should make sure to account for younger scrapbookers who may be overlooked because they are scrapbooking digitally instead of traditionally.

Respondents, for the most part, say they are drawn to traditional scrapbooking instead of digital scrapbooking because they like all the “stuff”—the ribbons, the stickers, and so on. Digital scrapbooking, though may include digital versions of these embellishments, is seen as just not the same. Digital scrapbookers say that it is less time consuming and easier than traditional scrapbooking and they are on the computer anyway. It is interesting that digital scrapbooking is described as easier than traditional scrapbooking because it requires computer knowledge whereas traditional scrapbooking ultimately boils down to just gluing pictures to paper. The imagined “simplicity” of traditional scrapbooking is one reason outsiders often do not view it as art.

Some respondents have no interest in learning about or ever trying digital scrapbooking. They see the computer as for work and do not want to work on the computer for fun, too. The lack of interest in digital scrapbooking among most of my respondents boils down to the process. Many enjoy the process of traditional scrapbooking and “getting their hands dirty” that they feel that is lost by digital scrapbooking. Others think that digital scrapbooks are “not as warm and fuzzy.” If scrapbooking is only about the finished product, then it would not matter what the process is to get to the finished product.

My respondents who have digitally scrapbooked usually are very purposeful. For example, one respondent makes a digital scrapbook of her blog (the blog company she uses allows the blogger to purchase a printed and bound copy of the blog posts). Another respondent makes digital scrapbooks as gifts and makes traditional scrapbooks for herself. Some respondents express interest in scrapbooking digitally but do not really understand the process. For example, they may have bought or been given software to make a scrapbook digitally but do not know what to do next. Do they just leave the digital scrapbook on the computer? Do they print it out themselves? They are hung up on the logistics. For example, if they are used to scrapbooking in a 12” x 12” format (as most traditional scrapbookers are), then they would need to purchase a printer that could accommodate that paper size or scrapbook in a different size altogether.

The point of this post is not to get into a digi vs. traditional scrapbooking argument. My interviews took place at a point in time when digi scrapbooking was becoming more mainstream, but was not quite mainstream yet. Despite the historical moment, I do think that there are traditional scrapbookers that do still have some of the same apprehension surrounding digi scrapbooking as my respondents.

Are you a digital, traditional, or hybrid scrapbooker? How do your experiences compare to my respondents?

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Hello 2013!

Starting next Wednesday, I’ll be back with my weekly posts from the dissertation.

I may post periodically on my minimalist scrapbooking project. I am not keeping track of my scrapbooking purchases like I was. I’ve got out of it what I wanted to get out of it for the most part. My plan was to reduce my scrapbook spending and use my stash. I’m not sure that I’ve reduced my scrapbook spending a whole lot, but am more aware of my scrapbook purchases. I’ve learned that a large portion of my spending goes towards printing photographs for the scrapbooks. I have not reduced my spending like I had hoped, but I think I am a lot more cognizant of the purchases I do make.

I plan to post at least once a month on my own scrapbooking. I think I can handle that. Right now, I am trying to wrap up a couple of projects: my trip to Denver, Week in the Life, and 2012 Christmas (not a December Daily) before the end of the year (or before my Spring Semester starts). I don’t have any major scrapbooking plans on the horizon. I plan to just scrapbook the photos I take and memories I make. And that, is good enough for me.

Happy New Year!

This post is brought to you by Blurb*:

Put all of your 2012 memories, including vacations, birthdays, and special occasions in a keepsake book this holiday! Or create the perfect planner for 2013 full of your favorite photos of all time. For more ideas and inspiration go to: Blurb.com or Blurb.ca. And remember that from now through 1/7 you can save 15% on your entire book order with code BOOKS15OFF.

*I use Blurb for all my photobooks…ok so I’ve only made three book through them, but I do appreciate their quality, ease of use, and simplicity.

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A Giveaway from Big Picture Classes!

I have a giveaway from Big Picture Classes!

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The Art of Composition

12 weeks of capturing compelling images taught by Tracey Clark

Starts 1/3/2013 $99 for standard version, $299 premium version

Class Description

Are you ready to see a dramatic improvement in your photographs? Tracey Clark, professional photographer and founder of Shutter Sisters, kicks off our 2013 4Experts series with The Art of Composition, a 12-week journey into one of the most important fundamentals of photography-namely, composition.

No matter what kind of photography you enjoy, The Art of Composition will change how you look at the world around you while teaching you about line, shadow, shape, focus, negative space, balance, color and more!

This highly sought-after class is back again in two versions:

  • Our Standard version, the original class that delighted hundreds of students during its first run, is open for unlimited enrollment. You’ll enjoy all of Tracey’s original content (weekly lessons, video instruction, rich imagery, creative exercises, and challenges), plus access to a rich and vibrant community of fellow classmates.
  • The Premium version, which has a limited number of seats, includes all of the features listed above, plus personal coaching and real-time interaction from Tracey.

Just leave a comment below by midnight (Central Standard Time/Chicago) on New Year’s Eve (Dec. 31, 2012).

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No Longer Attending Crops?

This entry is part 63 of 86 in the series Scrapworthy Lives Results

Each Wednesday, I usually write a post from my dissertation.

The last few weeks, I’ve written about attending crops. Some scrapbookers no longer crop with others for several reasons.

The scrapbooker now has a permanent space in her or his home to scrapbook eliminating the need for scrapbooking space elsewhere.

Some mention not fitting in with the scrapbooking community in some way. One respondent explains how she had cropped through crops organized by an Inspired Stories (pseudonym) consultant but no longer does because she feels the other croppers are too critical of her use of non-Inspired Stories products.

Others say they do not have time to crop outside the home with others. Unless the scrapbooker brings all of their supplies with them, they have to plan the pages they want to make ahead of time (i.e., pre-scrap[1]) and they do not always have time to do this. Another respondent never attended crops as a participant but did work at a convention center where crops are occasionally held. He talks about some of his observations and compares it to other hobbies, such as fishing. Few people can just get up one morning and go fishing. Most have to plan that activity. He sees people having to do the same thing with scrapbooking. In other words, a scrapbooker may have time to attend a crop, but does not have the time to actually prepare for attending a crop.

Did you attend crops in the, but don’t anymore? Why or why not?



[1] Pre-scrapbooking refers to selecting the paper, photographs, embellishments, and memorabilia the scrapbooker wants to include on a page. Some will sketch the layout they wish to create. The scrapbooker does everything, except assemble the page ahead of time.

Did you know that you can subscribe by RSS?

Stephanie

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The Last Take Twelve of 2012 is Tomorrow!

It is time for the last Take Twelve of 2012!

Each month in 2012, I’m joining Ella Publishing’s Take Twelve challenge. The goal of the 2012 Take Twelve Project is to take 12 photos on the 12th day of each month for a full 12 months—and scrapbook them!

Six months ago, I was still excited about this project. I have not been as excited the last six months. Partly, this is because life got in the way. Partly, I got a bit burned out on the prompt.

Will I continue this project in 2013? I think so, but in a modified way. Either way, I am excited to do this project this month! I plan to record Christmas this month.

Are you planning on taking twelve photos tomorrow? Do you have a theme you plan to use tomorrow?

Check out my Take Twelve Photos and Layouts:

And the Take Twelve Design Team:

Like the Car
Nihao, Cupcake!
Janette Carter-Kincaid
Scrap Inspired
Scrappy Wife, Happy Life
Right Here-Right Now
Scrapworthy Lives
People of the Scrapbook
My Little Blessings
Life is Sweet
A Swoop and a Dart
Endless Possibilities
Yeah, Write

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